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John Haber - a critics response…

John Haber did indeed come through and respond to my letter. He was also gracious enough to allow me to publicize his reply. It’s really worth your while to read my previous post in order to understand the dialog better). Here is John Haber’s response word for word:

It’s not worth arguing, but here goes:

First, people read reviews looking to keep up with the arts. For New Yorkers, that means wondering what to do with the weekend; it’s one reason I read newspapers and TimeOut — to see if I missed a show. For others, it’s to experience the scene vicariously. These are legitimate reader interests, and I bear them in mind.

Second, no, I can’t judge the quality of work legitimately from the Web, although I often preview shows that way.

Third, it’s a matter of simple fairness. I can’t legitimately cover worthy exhibitions as it is, with so many fine museum shows and 300 galleries in Chelsea alone, not counting the rest of the New York area. I know I’m slighting people. But any attempt to judge “what’s out there” on the Internet is impossible, and the inequities would increase.

Fourth, it would put me in the position of a dealer, evaluating artist submissions (which, as I say, could be in the 10s of thousands, which mostly stink, and which would introduce the bias of who wrote to me). It’s not my job.

Anyhow, I say that to be polite as well to all artist like yourself who write me.
That way, I don’t have to say, “I visited your site, and the work is crap.”
John

I continued this dialog with John however I don’t think that the rest of the conversation is interesting enough for publication here. I will say that it was really refreshing to correspond with an art critic who has the courtesy and professional acumen to bother to respond to pesky fledgling artists like myself : )

Art Criticism online - an open letter…

I recently wrote an email to New York art critic John Haber asking him to review this site because I encountered his reviews online and found them to be intelligent and fun to read.

Since my attempts at contacting art galleries, critics, etc., via email have mostly met with failure I was pleasantly surprised when Mr Haber responded to my email almost immediately. Regretfully Mr Haber’s response to my request for reviewing my site was negative based on his wish to limit his reviews to exhibitions that he himself has visited personally and can therefore illuminate for his readers responsibly - By all counts an intelligent and legitimate position however it got me thinking about the public presence and access to the public that an artist has and following some deliberation with myself I replied to Mr Haber with the following letter:

“Thanks for the quick response : )
I understand your position. I am curious however as to what is implied
by your statement:

From your response it is implied that you feel there is a fundamental
difference between the representation of an artist’s exhibition in a
certain physical locale and the translation/documentation of that
exhibition into a web based experience.

I agree that visiting a website and visiting a gallery are not one and
the same, however if “reader attendance”, is the rule that is employed
for judging what to include, then clearly it is obvious that a greater
percentage of readers can visit an artists representation online than
can visit a specific location at a specific time to see an exhibition.

My experience with your latest posting about Cai Guo-Qiang is a
classical example - your writing provoked me to google Cai Guo-Qiang
and visit his website.

Why?
That’s simple - it was a necessity.
My interest was piqued by your review but, being based in Israel, I
can’t visit the exhibition.

My only point is that disregarding artistic websites as a matter of
principle is entirely a question of the focus a critic has chosen for
his work. It is not, to my opinion, outside the realms of valid
occupation for artistic criticism.

Who knows?
Perhaps occasionally reviewing materials accessible to art lovers
everywhere (like an artist’s website) would garner you more readers
like myself who are unable to visit most of the events you are
currently covering…”

I am still waiting for Mr Haber’s response to my final letter but when it comes I promise to publish it here. I think that this is a fascinating glimpse into how digitization and virtualization is affecting the art world. This case is specifically interesting because although Mr. Haber chooses not to review artist websites for the reasons mentioned above, he publishes his art reviews on the web

Mike

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