I’m wondering what music to play at the opening night of Digital Zion @404B.

These are the kinds of ideas i had:
something electronically peaceful and melancholy,
something gritty,
something dark and mystical,
even darker places,
visit electronica and
maybe pick it up some,
we could visit the middle east…
there are so many options,
classical music is great too…

Whaddya think? Your suggestions are welcome : )

To get your free PDF copy of the catalog from my political pop art exhibition “Digital Zion” Use the Fliiby widget embedded at the top of this page. Click the PDF icon in the widget window and then click the download button that appears on the bottom of the widget frame (near the star ranking icons)

The exhibition opened on Friday August 1st 2008 at “The gallery@404B” in Hot Springs, Arknasas and ran for a month.

As you can see, it was a blast…

In one of my earlier posts I whined and bitched about the trials and tribulations involved in staging an exhibition abroad. Luckily I have a friend who is wise and honest enough to tell me that I sounded rather lame… I agree.

“Ooooh poor me I have an exhibition at a gallery in the US, I’m so stressed, I’m so pressured, It’s so much work, it’s so complicated….”
How embarrassing to think that I actually felt this way. In a former life, when I was still an infantry captain, I would have probably assigned myself a particularly humiliating task to remind me that whining is NOT COOL.

: )

Those days are long gone but I still feel that balancing things out a little is very much in order. I thought I’d set the record straight by saying that although being an artist isn’t always the bed of roses I imagined it to be, I wouldn’t trade it for anything in the world.

Following a dream is not an easy path, nor should it be - that’s what makes it worthwhile!

Frankly I can’t believe how lucky I am to have the opportunities I’ve been afforded, or how easy it was to arrange international exhibition opportunities.
I can’t even begin to imagine how complicated life must have been in this respect before the advent of the Internet and my respect for artists who precede this miraculous invention has grown hugely as a result.

One last thing before I wrap this up - I know I’m lucky to have the opportunities afforded me and I am grateful for them, but I am far more grateful to have met the good people who afforded me these opportunities.

In this respect at least I think that not that much has changed for art and artists throughout the ages…

: )

Mike

This is my Technorati Profile.
Here is my Twitter page
…and here is my Plurk page (Wanna Plurk too?)

Off course I’m on Myspace and Facebook too but that’s so old school…

Recently I have been experiencing first hand, and for the first time in my life, the workings of the dull machinery that moves the art world.

Little did I realize, when I was initially invited to hold an exhibition in the States, that so much bureaucracy, paperwork, and hard physical labor would be involved.

Packing and shipping 24 art prints from Israel to the US is a royal pain in the Tuches! (Yiddish for posterior)
Especially if the prints happen to be on the largish size.
Curses on my megalomaniac weakness for working in big formats.

It turns out that the largest prints I planned for the exhibition at the gallery @404b (opens 1st of August), CAN’T BE SHIPPED BY AIRMAIL!

Call me naive, but I though that since we got people to the moon 4 decades ago, shipping “72 Virgins“, “Pharaoh’s Dream“, and “For our Sins” to Arkansas by airmail wouldn’t be such a big deal… Shows what I know.

I’m glad I had the foresight to start preparing for the exhibition now. Even so I think that what with preparing and printing a decent catalog, making labels, shipping everything to the states, preparing myself for the trip, and god knows what else I’m forgetting, this is going to be far more challenging than I thought…

The things you don’t read about in artist’s biographies…
: )
All the best
Mike